“Try to live your life in a way that you will not regret years of useless virtue and inertia and timidity.
Take up the battle.
Take it up.
This is your life. This is your world.
I’ll be leaving it long before you under the ordinary set of circumstances. You make your own choices. You can decide life isn’t worth living, and that would be the worst thing you can do. How do you know, so far?
Try it. See.
So pick it up. Pick up the battle, and make it a better world.
Just where you are.
Yes, and it can be better, and it must be better, but it is up to us.”
Hollywood Hills from The Line Hotel, Los Angeles, November 2020. Photo: Busy K
I’ve been reflecting a lot on the nature of production during the COVID crisis.
When it became clear that our show Parenting Without Borders wasn’t coming back anytime soon, I relocated to northern California to stay with family while the worst of the virus raged in my beloved New York City. Many of my friends and colleagues were discovering that they had COVID or were recovering from it. The executive director of New York Women in Film and Television was living in the epicenter in Queens surrounded by the steady scream of ambulance sirens, which we could hear during on-line board meetings. Another friend had a mobile morgue unit parked on her block in Brooklyn. And then in April 2020, two people I know died within a week of each other – one in NYC and one in Milan. The scope of this virus is devastating. And those deaths have influenced everything I’ve done since.
In May I got a call about a commercial project for a big tech company. They were planning a shoot with crazy numbers: 10 directors and 300 crew members to make 200+ short films in 4 weeks. I was both apprehensive and excited to get back to work. Because this was a client that would follow strict safety protocol, I felt comfortable committing. Read More
On March 24, 2021, New York Women in Film and Television (NYWIFT) and the National Democratic Institute (NDI) presented the panel discussion “Representation Matters: Ensuring Inclusive Leadership in Politics and the Media.” Originally planned to be hosted at the United Nations in March 2020 as part of the Commission on the Status Women Forum, the event was postponed and viewed online this year.
Thanks to the vision of NYWIFT’s executive director Cynthia Lopez, and NDI’s senior associate & director for Gender, Women and Democracy Sondra Pepera, we organized this incredible panel to discuss the importance of representation and strategies for equity at the intersection of politics and media.
One of the highlights for me was getting to hear from H.E. Hanna Tetteh, the UN Secretary General’s Special Representative to the African Union and Head of the United Nations Office to the African Union who left us with some closing thoughts:
This partnership holds special significance for me because my first job out of college was with NDI, where I helped organize workshops for women in politics in Argentina and Jordan all the way back in the 90s.
Being virtual made it a truly a global presentation – from 4 different time zones. Our participants were in Los Angeles, New York City, Stockholm and Addis Ababa and our audience tuned in around the world. You can read more and watch the recording of the event at the link below.
Ballerinas Kennedy George and Ava Holloway at the base of the Robert E. Lee statue in Richmond, VA. June 5, 2020. Julia Rendleman/Reuters
What a year we’ve had. And what a time we have in front of us. Covid-19 is a seismic event that revealed cracks in the foundation of American society: from massive income and wealth gap, to the failings of a healthcare system that is tied to employment. Equally significant is the momentum of the social justice movement Black Lives Matter that sparked nationwide protests against hundreds of years of racial inequity, brutality and injustice.
When our world opens up again, we should ask ourselves: what kind of society do we want to live in? And how do we give meaning to the crisis that we’ve survived and are still enduring?
I recently read an opinion piece by columnist Leonard Pitts Jr who spent last year reading works by women. He noted that “my bias deprived me of whole vistas of discovery.”
“This past year, has served as a reminder to never be too smug about one’s own enlightenment. Because enlightenment is not a place one reaches but a process always ongoing. And it requires not just a willingness to acknowledge that one harbors biases but also a recognition that they will not go away on their own. One has to make them go away. And then one has to get up the next day and do it again.” Leonard Pitts Jr
In an effort to confront my own bias, over the past few years I’ve made a conscious effort to read more authors from backgrounds that are different from mine, with an emphasis on black authors. And in doing so I rediscovered some old favorites and was shaken to the core by new authors and stories.
Here are some recent reads that really affected me: Read More
Checking in, everyone. How are we doing? I hope you all are safe and healthy. Isolation takes its toll, and I hope you are being kind to yourselves.
When everything shut down in March, I was working on a travel series for Disney+ called Parenting Without Borders. As the showrunner and director, I had assembled the most incredible team, and together we had developed a great series that the EPs and the network loved. I had wonderful partners at Disney who wholeheartedly supported our creative ideas. I also had the tremendous support and institutional knowledge of Boardwalk Pictures, which does such incredible international production with Chef’s Table and Street Food. This was going to be a beautiful, poignant series about how culture influences parenting around the world.
I think back to those days in February and March when we were conducting daily risk assessments. Because of a lack of coherent information about coronavirus from the Feds and CDC, we had to glean the risks from our own resources, the news and from our international contacts on the ground. The world started to shrink before our eyes as countries around the globe turned into hotspots, and suddenly, the coronavirus was here in the United States. Read More
Corey Williams is the kind of person who makes you want to root for him. Sincere, honest and open, he’s a hard worker and a man of few words. And 20 years ago he was sent to death row after a house party ended in the murder of a pizza delivery man. Corey was a mere child of 16, a victim of poverty and intellectually disabled. He was living in Caddo Parish, Louisiana, notorious for its tough-on-crime approach to justice where African American teens were labeled “super predators.” In short, Corey never had a chance. And yet, details of the case didn’t add up. Read More
Last week, I spoke to NYWIFT members about the state of the industry from my perspective as showrunner and director of a travel documentary series for Disney+. Production everywhere has “paused” for the time being. I talk about what that means for the immediate future and how we producers can approach the unknown. Read More
What is the one thing you can’t live without in production?
I LOVE a wipe board. Worlds are created on wipe boards. Recently I went to a meeting at Viacom, and the conference room had an entire wipe board wall. My fingers nearly tingled as we covered it in color-coded ideas by the end of the brainstorm session. Read More
2019 PitchNY- Sponsored by Governor’s Office of Motion Picture & Television Development, Tribeca Film Institute and NBCUniversal
Thank you to the Governor’s Office of Motion Picture & Television Development and NBCUniversal in collaboration with Tribeca Film Institute, for inviting me to participate in PitchNY, the most recent state initiative to promote the inclusion of diverse voices across the entertainment industry and to connect entertainment industry leaders with a rising generation of diverse content creators.Read More
With his latest film “Dolor y Gloria” (Pain & Glory), Pedro Almodovar* has given us the most personal and restrained film of his career. But don’t let that fool you. Almodovar is a master of self reference, and he expertly weaves this nonlinear story within a story, a memory within a memory, the film within the film, leaving me wanting more. Like the reviewer in The Guardian, I felt that “this movie was running so smoothly and so seductively that it could have gone on for another five hours.”
Largely autobiographical, the story centers around Salvador, a film director (played by Antonio Banderas) in the autumn of his life, who is facing a creative block born out of profound emotional and physical pain. Antonio Banderas has never been better. While he plays a passive character at the bottom of a well of depression, he is so present and allows deep emotions to boil just below the surface. And this being an Almodovar film, there are moments that are really funny, especially when Salvador is persuaded to attend a Q&A of one of his classic films (a meta moment as we were also there to hear a Q&A with Almodovar after the screening).
Pedro Almodovar and Kenneth Lonergan in conversation at the DGA Theater. Credit: Busy K.
Cape Ann, Massachusetts. Summer 2019. Photo by Busy K.
I can’t believe that we are approaching the end of the summer. Where did the time go??? My summer was filled with researching upcoming projects which took me to the countryside in California, the capes of Massachusetts, science archives of Florida, and back to both kitchens and writing rooms in NYC. I look forward to sharing more in the year ahead.
In the meantime, I enjoyed participating in NYWIFT’s podcast “Women Crush Wednesdays” this month talking about the 2019 Summit: Inclusion, Equality and Safety that was hosted at the Ford Foundation for Social Justice in June. It was a lot of fun to talk with co-hosts Margarita Cortes and Katie Chambers.