Last week, I spoke to NYWIFT members about the state of the industry from my perspective as showrunner and director of a travel documentary series for Disney+. Production everywhere has “paused” for the time being. I talk about what that means for the immediate future and how we producers can approach the unknown. Read More
What’s in Your Toolkit?
Thank you NYWIFT for profiling me in the new column “What’s in Your Toolkit?” Entertainment publicist Margarita Sophia Cortes asked me…
What is the one thing you can’t live without in production?
I LOVE a wipe board. Worlds are created on wipe boards. Recently I went to a meeting at Viacom, and the conference room had an entire wipe board wall. My fingers nearly tingled as we covered it in color-coded ideas by the end of the brainstorm session. Read More
Thank you to the Governor’s Office of Motion Picture & Television Development and NBCUniversal in collaboration with Tribeca Film Institute, for inviting me to participate in PitchNY, the most recent state initiative to promote the inclusion of diverse voices across the entertainment industry and to connect entertainment industry leaders with a rising generation of diverse content creators. Read More
Man on the Verge of a Nervous Breakdown
Dolor y Gloria – Pain and Glory
With his latest film “Dolor y Gloria” (Pain & Glory), Pedro Almodovar* has given us the most personal and restrained film of his career. But don’t let that fool you. Almodovar is a master of self reference, and he expertly weaves this nonlinear story within a story, a memory within a memory, the film within the film, leaving me wanting more. Like the reviewer in The Guardian, I felt that “this movie was running so smoothly and so seductively that it could have gone on for another five hours.”
Largely autobiographical, the story centers around Salvador, a film director (played by Antonio Banderas) in the autumn of his life, who is facing a creative block born out of profound emotional and physical pain. Antonio Banderas has never been better. While he plays a passive character at the bottom of a well of depression, he is so present and allows deep emotions to boil just below the surface. And this being an Almodovar film, there are moments that are really funny, especially when Salvador is persuaded to attend a Q&A of one of his classic films (a meta moment as we were also there to hear a Q&A with Almodovar after the screening).
I can’t believe that we are approaching the end of the summer. Where did the time go??? My summer was filled with researching upcoming projects which took me to the countryside in California, the capes of Massachusetts, science archives of Florida, and back to both kitchens and writing rooms in NYC. I look forward to sharing more in the year ahead.
In the meantime, I enjoyed participating in NYWIFT’s podcast “Women Crush Wednesdays” this month talking about the 2019 Summit: Inclusion, Equality and Safety that was hosted at the Ford Foundation for Social Justice in June. It was a lot of fun to talk with co-hosts Margarita Cortes and Katie Chambers.
How Sweet the Sound
Get thee to the movie theater now, gentle reader, to see Aretha Franklin’s concert film Amazing Grace. To see it on the big screen is to be transported back to 1972, to the New Temple Missionary Baptist Church in Los Angeles where Franklin recorded her Grammy-winning gospel album. In search of authenticity that a studio recording could never achieve, Franklin brought the studio to church in every sense of the word with the support of the Southern California Community Choir, her band, and Rev. James Cleveland, one of the most renown gospel figures of the time. Read More
2019 NYWIFT Summit: Inclusion, Equality and Safety
NYWIFT Presents “2019 NYWIFT Summit: Inclusion, Equality and Safety” at the Ford Foundation for Social Justice
For the past few months, I’ve been working with NYWIFT to organize our first annual Summit for Inclusion, Equality and Safety. Check out the press release about the June 27th event below! (all photos by John Dallas Phelps) Read More
Doing Justice to True Crime
Death Row Stories explores the fallibility of the ultimate criminal penalty, capital punishment. Told by current and former death row inmates, each episode of Death Row Stories seeks to unravel the truth behind a different capital murder case and poses tough questions about the U.S. capital punishment system. Sundays at 8pm, ET/PT on HLN. My episode “Body of Evidence” premieres June 30.
I directed two episodes of the series for Jigsaw Productions. This was my first foray into the true crime genre, which I’ve been following as a growing phenomenon over the past few years. Studies show that women consume the most media about true crime. There are many theories about why: whether it’s escapism or it’s a way to interact with our worst fears, many people are looking for reasons to why bad things happen. Death Row Stories premiered in 2014, and has since been at the forefront of true crime’s popularity exploring capital punishment in a way that’s more palatable for people who might not think they’re interested in social justice issues.
We won a James Beard Media Award for Salt Fat Acid Heat, our four-part documentary series on Netflix! Coming from the food community means a lot.
I am thrilled, honored, humbled, and happy for everyone who gave so much of themselves to make this beautiful show.
Thank you for watching, and thank you for loving it as much as we do!
Women Making History Month
Happy Women’s History Month!
“Women still have to fight to show people that we know what we’re doing. That change is still in the works, but at least there’s more of us.”
Rachel Morrison: first woman nominated for an Academy Award for cinematography.
“I try to see what is at the heart of the story and the character at a given moment, and let story and emotion be the factors that inform the technique.”
And back by popular demand…
Jessie Maple: filmmaker, director, editor, producer, writer, cinematographer, and pioneer.
Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York.
“You can’t stop progress. You can hold it up for a minute, but you can’t stop it.”