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Drum roll please…

At long last, I’m thrilled to announce my latest directing project, The World According to Jeff Goldblum for Disney+.  Filmed over the course of six months at the end of 2020 and beginning of 2021, this was a feat of research, coordination, safety, creativity, compassion and a healthy dose of silliness.  You know you’ve made good career choices when Day 1 of filming is Jeff Goldblum in a pile of puppies.

Jeff Goldblum is back — and he’s as curious as ever.  Through the prism of Jeff’s always inquisitive and highly entertaining mind, nothing is as it seems in this new series. Each episode is centered around something we all love — dogs, dance, magic and motorcycles — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights.

The challenge: how do you make a show during a pandemic as interesting and exciting as the first season which was filmed when there were no limitations?  Answer: you plan everything very carefully to be safe but you also have to leave room for spontaneity and magic. Creatively, this host-driven show was a director’s dream because every day we filmed something completely different.  I mean, we’ve got trapeze artists, magicians, robots, witches, a sea lion named Diego, and a BIG DANCE NUMBER this season! Read More

The Beauty of Nureyev at the de Young Museum

Rudolf Nureyev rehearses for "Marguerite and Armand" at Covent Garden in Britain in 1963. Photo: Michael Peto, The University Of Dundee The Pet / SF

Rudolf Nureyev rehearses for “Marguerite and Armand” at Covent Garden in Britain in 1963. Photo: Michael Peto, The University Of Dundee The Pet / SF

When I was a kid growing up in the 70s, there were few things more magical than when my parents woke me up late at night for something they didn’t want me to miss: a lunar eclipse, a fire truck screaming down the street, or Rudolf Nureyev dancing on PBS.  Through the gauzy veil of memory, I can still picture this man leaping impossibly high and landing with such elegance and joy that I could hardly get back to sleep.  And so it is fitting that I recently accompanied my parents to the de Young Museum exhibit, Rudolf Nureyev: A Life in Dance, in San Francisco.

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