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Dolor y Gloria – Pain and Glory

Antonio Banderas. Dolor y Gloria, 2019.

With his latest film “Dolor y Gloria” (Pain & Glory), Pedro Almodovar* has given us the most personal and restrained film of his career.  But don’t let that fool you.  Almodovar is a master of self reference, and he expertly weaves this nonlinear story within a story, a memory within a memory, the film within the film, leaving me wanting more. Like the reviewer in The Guardian, I felt that “this movie was running so smoothly and so seductively that it could have gone on for another five hours.”

Largely autobiographical, the story centers around Salvador, a film director (played by Antonio Banderas) in the autumn of his life, who is facing a creative block born out of profound emotional and physical pain.  Antonio Banderas has never been better.  While he plays a passive character at the bottom of a well of depression, he is so present and allows deep emotions to boil just below the surface.  And this being an Almodovar film, there are moments that are really funny, especially when Salvador is persuaded to attend a Q&A of one of his classic films (a meta moment as we were also there to hear a Q&A with Almodovar after the screening).

Pedro Almodovar and Kenneth Lonergan in conversation at the DGA Theater. Credit: Busy K.

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